21 pieces in solid oak, European ash, kiaat, iroko and other hardwoods. Boards, mirrors and homeware are made and waiting. Furniture is built to your size.
Cut to the outline of the continent in 20mm solid European ash, oak or kiaat. It started as a workshop offcut experiment and turned into the piece people ask about first. Because every piece is cut from a single board, the grain traces a different path through every continent. Finished food safe, so no two are the same and none ever can be.
Long and narrow, built to run down the middle of a table with a cut baguette and something to dip it in. Blackwood, so every board comes out a different colour, because every tree was.
Laminated from contrasting offcuts, so the stripes are a record of whatever came off the bench that week. No two the same. Three sizes, plain or striped, oiled for food.
Thick enough to take a knife properly without rocking or marking up in a week. A contrasting stripe runs through the middle. Ash or kiaat, two sizes, finished food safe.
A well routed out by hand, with a pale inlay stripe set into the kiaat. Keys and coins by the door, or drinks carried through to the lounge.
A turntable for the middle of a table, so the olive oil and the salt stop being passed around. Runs on a smooth bearing under a solid top, heavy enough that it stays put while it spins. Oak and ash, three sizes.
Ash and blackwood with black steel handles bolted through. Carries a full set of glasses across a room without a hint of flex, which is the whole point of making it from solid timber.
A round well turned into a square block, with a contrasting stripe running through the base. The shape is a bit of a trick: it reads as two pieces and it is one.
Turned from solid, three depths that stack into each other. The figured ones come from boards that were too good to cut into anything straight.
The continent cut clean through solid kiaat and backed with mirror glass, so the shape reads first and the reflection second. Hangs portrait or landscape. One piece, one only.
Solid oak surrounds, turned true and oiled to a low sheen. Two diameters: hang the large one alone over a basin, or both as a pair up a stairwell.
Solid timber throughout, legs included, with no steel anywhere in it. The slab legs are thick enough to read as part of the top rather than something holding it up. Ash or oak, 865 x 525 x 380mm.
A solid top sitting on a welded black steel frame, with a lower shelf for books and remotes. The timber does the warmth, the steel keeps the lines thin. Built to your length.
Narrow enough for a hallway nobody wants to lose, heavy enough that it stays exactly where you put it. Angled slab legs in solid kiaat, which is the detail people notice on the way past.
Solid ash top on a black steel frame, with two open shelves underneath. Built to the wall you actually have rather than a standard size that nearly fits.
Round ash tops on black hairpin legs. Nest them under each other when the room is tidy, pull them apart when there are more people than surfaces.
Dark kiaat with five hand forged hooks on brass screws. The cracks in the timber are left open and stabilised rather than filled, because they are the reason this board was worth keeping.
Table Mountain cut into the top edge, six hooks below it. The long one, for a hallway that takes a family's worth of coats and bags.
The same skyline as the hook rail, cut short for the space beside a door. Two timbers laminated together, brass hooks. Keys land on it instead of the kitchen counter.
Whyni Wood